Simple Bibliography

Jozwiak, Elisabeth Mermann. “Re‐Membering the Body: Body Politics in Toni Morrison’s the Bluest Eye.” Taylor & Francis, www.tandfonline.com/doi/abs/10.1080/10436920108580287?journalCode=glit20.

Malmgren, Carl D. “Texts, Primers, and Voices in Toni Morrison’s the Bluest Eye.” Contemporary Literary Criticism, edited by Janet Witalec, vol. 173, Gale, 2003. Literature Criticism Online, http://link.galegroup.com.proxy.wexler.hunter.cuny.edu/apps/doc/QKPMSE517876176/GLS?u=cuny_hunter&sid=GLS&xid=04d83dce. Accessed 29 Apr. 2019. Originally published in Critique: Studies in Contemporary Fiction, vol. 41, no. 3, Spring 2000, pp. 251-262.

Moses, Cat. “The Blues Aesthetic in Toni Morrison’s the Bluest Eye.” African American Review, vol. 33, no. 4, 1999, pp. 623–637. JSTOR, www.jstor.org/stable/2901343.

Pal, Payel and Neelakantan, Gurumurthy. “Morrison’s Prostitutes in The Bluest Eye.” Notes on Contemporary Literature. Volume 44. Pages 4-7. https://www.researchgate.net/publication/261527825_Morrison’s_Prostitutes_in_The_Bluest_Eye

Rickard, Wendy, and Merl Storr. “Editorial: Sex Work Reassessed.” Feminist Review, no. 67, 2001, pp. 1–4. JSTOR, www.jstor.org/stable/1395526.

In searching for these articles, I mostly focused on seeking out journal publications concerning the analysis of the characters China, Poland, and Miss Marie in The Bluest Eye. I found most of the articles listing above by searching their names in Google Scholar and the library portal. It was difficult to find articles solely focused on these characters, so the articles I found look more broadly at the themes of victimization, subjugation and issues revolving around the body found in The Bluest Eye, all of which have analyses of these characters. I was also interested in finding an overview of sex work in America, and I consulted one of the journals to which Hunter subscribes that covers a broader range of subjects than the literary journals.

Simple Bibliography

Lilijana Burcar. “Imploding the Racialized and Patriarchal Beauty Myth through the Critical Lens of Toni Morrison’s The Bluest Eye.” Vestnik Za Tuje Jezike 9.1 (2017): 139-158. Web.

https://revije.ff.uni-lj.si/Vestnik/article/view/7635/7266

Koch, E. “Hollywood’s Terror Industry: Idealized Beauty and The Bluest Eye.” Sanglap 1.1 (2014): 147-57. Web.

http://sanglap-journal.in/index.php/sanglap/article/view/37/27

Kuenz, Jane. “‘The Bluest Eye’: Notes on History, Community, and Black Female Subjectivity.” African American Review 27.3 (1993): 421. Web.

https://www-jstor-org.proxy.wexler.hunter.cuny.edu/stable/3041932?origin=crossref&sid=primo&seq=4#metadata_info_tab_contents

Yancy, George. What White Looks Like : African-American Philosophers on the Whiteness Question. London: Routledge, 2004. Web.

“Out of Sight: Toni Morrison’s Revision of Beauty.” Black American Literature Forum 24.4 (1990): 775. Web.

https://www-jstor-org.proxy.wexler.hunter.cuny.edu/stable/3041802?origin=crossref&sid=primo&seq=3#metadata_info_tab_contents

 

I began looking for my sources through onesearch on the hunter college library by first entering the title of the novel and keywords such as “beauty” since I am focusing on how capitalism functions to define beauty. I also remembered that I wanted to include the chapter we read for class by George Yancy because he also mentions how the conceptions of American beauty relate to whiteness which allow for the dominance of these conceptions. I struggled to find articles which focused on the role of China, Poland, and Miss Marie although they are mentioned in a few of the articles.

Simple Bibliography

“Biography – The Gordon Parks Foundation.” Gordon Parks Foundation, www.gordonparksfoundation.org/artist/biography.

Blair, Sara. Harlem Crossroads: Black Writers and the Photograph in the Twentieth Century. Princeton University Press, 2007.

Lamm, Kimberly. “Visuality and Black Masculinity in Ralph Ellison’s ‘Invisible Man’ and Romare Bearden’s Photomontages.” Callaloo, vol. 26, no. 3, 2003, pp. 813–835. JSTOR, www.jstor.org/stable/3300728.

Millichap, Joseph. “Fiction, Photography, and the Cultural Construction of Racial Identity in Ralph Ellison’s ‘Invisible Man.’” South Atlantic Review, vol. 76, no. 4, 2011, pp. 129–142. JSTOR, www.jstor.org/stable/43738922.

Raz-Russo, Michal. Invisible Man: Gordon Parks and Ralph Ellison in Harlem. Steidl, 2016.

Rowell, Charles H., and Kerry James Marshall. “An Interview with Kerry James Marshall.” Callaloo, vol. 21, no. 1, 1998, pp. 263–272. JSTOR, www.jstor.org/stable/3300033.

Sargent, Antwaun. “’Invisible Man’ Inspires Conceptual Art About Blackness.” Vice, VICE, 21 June 2017, www.vice.com/en_us/article/ev4wwm/invisible-man-inspires-conceptual-art-blackness.

“Silence Is Golden.” The Studio Museum in Harlem, 4 Jan. 2019, studiomuseum.org/collection-item/silence-golden.

Walling, William. “‘Art’ and ‘Protest’: Ralph Ellison’s Invisible Man Twenty Years After.” Phylon (1960-), vol. 34, no. 2, 1973, pp. 120–134. JSTOR, www.jstor.org/stable/273820.

 

The main database I used was JSTOR and Google Scholar. I searched the terms “Ralph Ellison” “Invisible Man” “art” “photography” I also played with the wording and got different sources. There wasn’t many articles that helped my specific topic of Ellison’s art in Invisible Man but what really set off my search was researching the information in Visuality and Black Masculinity by Lamm which gave me other leads.

Simple Bibliography

Putnam, Amanda. “Mothering Violence: Ferocious Female Resistance in Toni Morrison’s The Bluest Eye, Sula, Beloved, and A Mercy.” Black Women, Gender Families, vol. 5, no. 2, 2011, pp. 25–43. JSTOR, www.jstor.org/stable/10.5406/blacwomegendfami.5.2.0025.

Grogan, Christine. “Morrison Responds to the Psychological Community in The Bluest Eye.”  Father-Daughter Incest in Twentieth-Century American Literature: The Complex Trauma  of the Wound and the Voiceless. Fairleigh Dickinson UP, 2016. 75-94. EBSCOhost,  search.ebscohost.com/login.aspx?direct=true&db=mzh&AN=2016383186&site=ehost-liVe.

PIPES, CANDICE. “Failed Mothers and the Black Girl-Child Victim of Incestuous Rape in The Bluest Eye and Push.” Toni Morrison on Mothers and Motherhood, edited by Lee Baxter and Martha Satz, Demeter Press, Bradford, ON, 2017, pp. 183–200. JSTOR, www.jstor.org/stable/j.ctt1rfzz5n.14.

Zender, Karl F. “Faulkner and the Politics of Incest.” American Literature, vol. 70, no. 4, 1998, 739–765. JSTOR, www.jstor.org/stable/2902390.

Simple Bibliography

1. Connolly, Paula T. “Cultured Toys.” The Lion and the Unicorn, vol. 21 no. 1, 1997, pp. 148-151. Project MUSE, doi:10.1353/uni.1997.0003

https://muse.jhu.edu/article/35329

 2. Bergner, Gwen. “Black Children, White Preference: Brown v. Board, the Doll Tests, and the Politics of Self-Esteem.” American Quarterly, vol. 61 no. 2, 2009, pp. 299-332. Project MUSE, doi:10.1353/aq.0.0070

https://muse.jhu.edu/article/267021

3. Roye, Susmita. “Toni Morrison’s Disrupted Girls and Their Disturbed Girlhoods: The Bluest Eye and A Mercy.” Callaloo, vol. 35 no. 1, 2012, pp. 212-227. Project MUSE, doi:10.1353/cal.2012.0013

https://muse.jhu.edu/article/470462

4. Frever, Trinna S. “‘Oh! You Beautiful Doll!”: Icon, Image, and Culture in Works by Alvarez, Cisneros, and Morrison.” Tulsa Studies in Women’s Literature, vol. 28, no. 1, 2009, pp. 121–139. JSTOR, www.jstor.org/stable/40783477.

https://www.jstor.org/stable/40783477?casa_token=Nt5DgPmjJzcAAAAA:nq-MYXagb6IL2aqgHch4eSzvXZLW7rBCfx3hWfZ98uJIxZzb09BIFK23iZUQUmhZCjYW_3KxTufaqLlJzCLRSbWjxW_Auopwfr1eytfX8xZ5bflPSoTs&seq=1#metadata_info_tab_contents

5. Bernstein, Robin. “Children’s Books, Dolls, and the Performance of Race; or, The Possibility of Children’s Literature.” PMLA, vol. 126, no. 1, 2011, pp. 160–169. JSTOR, www.jstor.org/stable/41414088.

https://www.jstor.org/stable/pdf/41414088.pdf?casa_token=4qKcBksqKe8AAAAA:k3TOgZFUygaw2kcRTkR-2dj2cmLY-sRgrzIVa9jJGBKx3ez2Y3T1L9XLuCPmp7cJkXLeY9JuwfHvew4UjrMI5DcUBtxgEqeaM3y-84w-POqb_6l8ANTK