Annotated Bibliography

Burcar, Lilijana. “Imploding the Racialized and Patriarchal Beauty Myth through the Critical Lens of Toni Morrison’s The Bluest Eye.” Vestnik za tuje jezike 9.1 (2017): 139–158. Web.

The article brings up the racialized beauty norms from gender to race.It brings into light the societal norms and rules and how this affects people.

Bump, Jerome. “Racism and Appearance in The Bluest Eye: A Template for an Ethical Emotive Criticism.” College Literature, vol. 37, no. 2, 2010, pp. 147–170. JSTOR, www.jstor.org/stable/20749587. Accessed 11 Nov. 2020.

This article goes into further detail about the structures of racism and its effects. How appearance affects racism and how we can apply this to real-life scenarios.

Koch, E. “Hollywood’s Terror Industry: Idealized Beauty and The Bluest Eye.” Sanglap : journal of literary and cultural inquiry 1.1 (2014): 147–. Print.

This article goes into a lot of detail about the perception of social standards for beauty and Hollywood. It focuses on the 1940s American white cultural hegemony from Morrison’s characters: Claudia, Pauline, and Pecola.

Muhi, Ridha. “The Quest for an Ideal Beauty in Toni Morrison’s The Bluest Eye.” مجلة كلية التربية للبنات 21.2 (2019): n. pag. Print.

The article talks about racialized beauty and its effects on black youth. How the construction of femininity in a racialized structure affects women when the standard of beauty is white.

 

Bibliography and Research Question

How does beauty play a role in the systematic oppression of black folk in Toni Morrison’s “The Bluest Eyes”.

Burcar, Lilijana. “Imploding the Racialized and Patriarchal Beauty Myth through the Critical Lens of Toni Morrison’s The Bluest Eye.” Vestnik za tuje jezike 9.1 (2017): 139–158. Web.

Bump, Jerome. “Racism and Appearance in The Bluest Eye: A Template for an Ethical Emotive Criticism.” College Literature, vol. 37, no. 2, 2010, pp. 147–170. JSTOR, www.jstor.org/stable/20749587. Accessed 11 Nov. 2020.

Koch, E. “Hollywood’s Terror Industry: Idealized Beauty and The Bluest Eye.” Sanglap : journal of literary and cultural inquiry 1.1 (2014): 147–. Print.

Muhi, Ridha. “The Quest for an Ideal Beauty in Toni Morrison’s The Bluest Eye.” مجلة كلية التربية للبنات 21.2 (2019): n. pag. Print.

Morrison, Toni. The Bluest Eye; a Novel. [1st ed.]. New York: Holt, Rinehart and Winston, 1970. Print.

I looked through the hunter one search for my articles and found a lot on the topic of beauty in “The Bluest Eyes”. I tried to find pieces that were unique or had a lot of perspectives for me to fully be able to grasp the topic. I especially enjoyed reading about feminist theory in regards to to the oppressive government and how it correlates with race and beauty too.

Rankine and Images

Images are a powerful medium especially in context with human struggles. Rankine employs the use of images throughout her novel, which helps enrich the plot of her lyric story. One image that Rankine brings up is the “Jim Crow Road”. This image can invoke a bunch of emotions from anger to sadness. The image leaves us wild to our own thoughts, but with the use of Rankine’s writing, it becomes something else. Rankine writes, “ You and your friend decided that “yes, and” attested to a life with no turn-off, no alternative routes: you pull yourself to standing, soon enough the blouse is rinsed, it’s another week, the blouse is beneath your sweater, against your skin, and you smell good”(15).  This seems almost like a caption to the image. To further explain, some people live on this road and they don’t see a problem with it. The people living there might not be racists, but they simply do not care enough to change the problem. Which correlates with what Rankine is talking about with her figurative speech about the dirty sweater. We still live in a racist society that exploits people of color and we are silent about it. This is the emphasis that Rankine is trying to portray with her use of photos. We can not simply watch anymore because it only promotes racist behavior. 

Another example would be the use of Wozniacki’s photography meant to humiliate Serena Williams. Honestly, I was half expecting Wozniacki to be in black face too, but it seems our society has improved a little bit. Anyways this picture should immediately decry outrage from our society but it doesn’t. I believe Rankine is not only blaming Wozniacki’s inappropriate humor but the news reporters and the tennis community as the problem. How is Wozniacki not punished for this blatant attack on Serena? We all know at this point in time Serena gets penalized for the slightest of taunts, yet Wozniacki gets off scot-free? As Rankine writes herself, “ in this real, and unreal, moment, we have Wozniacki’s image of smiling blond goodness posing as the best female tennis player of all time” (44). I believe the image, in this case, helps capture the unreal moment. It showcases the reader of these moments, so there is no doubt left in their mind. The images strongly support Rankine’s argument here and denying it is near impossible. In my opinion, the use of photos in Rankine’s lyric book reminds me of a music video. We all know that the words/sound in the music video are the most important elements, but the video helps capture our attention as human beings. We are visual creatures and we are affected by what we see. Seeing images of racism still in our modern society should hurt us. It brings compassion out of us as human beings, it lets the reading take a hold of us. Rankine is brilliant for the use of images because at times it can be more powerful than the words themselves.

Pauline

Pauline Breedlove from the story “The Bluest Eyes” is a problematic character that suffers from a severe lack of self-esteem. Pauline’s problems stem from her time growing up isolated from her family. Pauline later develops a white supremacist ideology as she is susceptible to its influence. However, her pleasure of adjoining too white supremacist ideas would end up causing pain for her daughter Pecola Breedlove. 

Pauline’s first instance of isolation is caused by her limp from her family. “Her general feeling of separateness and unworthiness she blamed on her foot. Restricted, as a child, to this cocoon of her family’s spinning, she cultivated quiet and private pleasures” (111).  Pauline begins to blame her foot for her loneliness. However, she develops a passion for cleanliness and order. Her passion would soon progress into a cycle of misery in hopes of happiness. We see this through Pauline’s neglectful attitude towards her own family.

Pauline would grow up to be a maid for her a white family that she adores. She loved the respect that the family gave her for being a maid, yet refused to bring this attribute to her own family.“Pauline kept this order, this beauty, for herself, a private world, and never introduced it into her storefront, or to her children” (128). We can understand Pauline is absorbed by this idea of white supremacy and wishfulness to being included in the white family she works with. Her obsession with whiteness would be permeated on to her daughter. The difference between how she takes care of both households alone develops a twisted psychology for Pecola.

Another moment of pleasure for Pauline would be when she tried to look like Jean Harlow. Pauline even said, “White men taking such good care of they women, and they all dressed up in big clean houses with the bathtubs right in the same room with the toilet. Them pictures gave me a lot of pleasure, but it made coming home hard, and looking at Cholly hard” (123). We see Pauline’s family suffer from her white ideology even though it gives her momentary pleasure. Especially, when Pauline hits rock bottom when she loses her tooth. Her resentment towards her black family magnifies and grows. I believe this is one of the reasons she finds black people to be “ugly”. Pauline goes on to say, “But I knowed she was ugly. Head full of pretty hair, but Lord she was ugly” (126). Pauline’s white ideology affects her view of her newborn baby Pecola. In Pauline’s point of view witness and people who look like Jean Harlow is considered beautiful, while people that look like her are not. Which creates a hostile living environment for Pecola. 

Pauline Breedlove grows up isolated and self-loathing which coincides with the racist ideology of the country at the time. Pauline’s behavior resembles a dysfunctional character that suffers from a severe lack of self-esteem. Pauline’s development into a white supremacist only exemplifies the problem between her family as she is susceptible to its influence. Which ends up causing pain for her daughter Pecola Breedlove. 

Tod Clifton and the Infamous Sambo Doll

I want to say first off when I first read chapter 20 it reminded me of Alton Sterling. A man who faced the same fate as Tod Clifton for selling without a permit. How eerie is it that this problem is still persistent in our society…

Anyways, I want to say that I never even heard of a Sambo doll before. So I went to google and image searched it.

So I can understand the narrator’s feelings when seeing his close friend playing with one of these dolls in front of an audience. The doll is a disgusting caricature of black folk and its main purpose is to make fun of black people. Tod Clifton who was in the brotherhood and who wanted to help his community was participating in this show. The doll is a representation of a stereotype of a black street performer whose goal is to amuse white people. It was a cruel shock of betrayal for the narrator, who strongly opposes these ideas.

However, the narrator was more than just angry in this scene, he was furious. I think what really adds to the story is this minor detail added while the whole debacle was going on. He says, “I saw a short pot-bellied man look down, then up at me with amazement and explode with laughter, pointing from me to the doll, rocking ”(698). He was being made of fun by the result of Clifton promoting these dolls. Tod Clifton was essentially selling out his race for profit, which harmed everyone from the brotherhood to nonmembers. This doll symbolizes the system of oppression and hatred.

The doll is symbolic in many ways in combination with its cruel history. For an in-depth analysis, it should be noted that the doll is also controlled like a puppet with strings. This can suggest a deeper meaning behind the stereotype and could hint at a larger problem. For instance, the use of a black man using a Sambo doll suggests that he promotes these stereotypes. I envision that Clifton is being played around with the same strings that he is playing with. The doll is a powerful tool that has been ingrained in the minds of black folk that profiteering of racism in America is also perfectly normal. Clifton selling these dolls shows he is submissive to the pressure caused by society. Sacrificing his own morals just to stay afloat, it showcases desperation in its purest form.

Later we see the narrator take the doll as a souvenir and memento after Clifton is killed for striking the police. To unload the emotional impact of this on the narrator is devastating at the least. A man is used and abused by the system all in one chapter of the book. This perfectly showcases the problem of American society. Personally, I believe the narrator realizes Clifton was a tool by the system and pities him rather than hates him at the end. Lastly, we see the destruction of the doll (915). Maybe this proves that the power of the individual is key to fighting against these stereotypes. Which in itself promotes the overarching theme of individuality in the novel.