“I was an object in the midst of other objects” Frantz Fanon writes to try to understand who he is among the world. He, being treated like a thing due to his blackness, is amid other black people being treated the same. And these humans reduced down to objects were curtailed by white people. This chapter represents Fanon’s renovation of his own identity, as the others (the white man) have already constructed it. Even as they identify him using racial slurs he pushes away acceptance of it, after being beaten down time and time again. With every time he tries to rationalize a way of proving his pride and identity in being black, he fails to come to an adequate conclusion. Instead, he does not want to have to prove his worth but live as who he is. Fanon illustrates the fact of being black.
Fanon’s sense of identity is introduced within the first line of the chapter; it is what he has been labeled his whole life and limited to. Another sense of a black man’s identity is mentioned shortly after, in the next paragraph. “For not only must the black man be black; he must be black in relation to the white man.” (257) This is a pivotal point in the lack of identity Fanon faces. Being a black man is not the reason he confronts racism and segregation his entire life. He is confused and uncertain about who he is and how he is valued, only when compared to the others that make him feel this way. If it were not for them, he could understand himself as an intelligent black man, and not a “savage, brute or illiterate.” (261)
His sense of identity is challenged again when his consciousness comes into play. The world in which he has a “third-person consciousness” and “uncertain certainty” (258) is the world that he has a black man lives and the world that has classified that being a black man is an atrocious thing. Because of this the ‘corporeal scheme’ is no use, for it’s been taken over by a racial scheme that runs his world. His identity is taken over by children. He is the scary black man, who might eat a child up. He becomes a monster and a life lived like this sets a continuous unsteady sense of self.



In “Souls of black folk,” W.E.B. Du Bois drew from his own experiences as an African American in American society. He established the main reasons of discrimination is because of skin color and the central problem of 20th century is the color line. At a time being American essentially meant to be white and how difficult it was to be both black and American. The slow growth of personal leadership and frankly criticized the leaders who bear the primary responsibility of today’s race. Also, he quickly outlined behind the veil, next, he developed his view on double consciousness. Du Bois is driven into two concepts of “veil” and “double consciousness.”
