Rankine interview on NPR

Happened to catch Claudia Rankine on NPR this weekend. Check it out: she covers some of the same issues we’ve been reading about this week:

 

Poet Claudia Rankine And ‘Just Us’ : It’s Been a Minute

Poet Claudia Rankine is back with a new book called Just Us: An American Conversation. Much like her acclaimed 2014 book of poetry, Citizen: An American Lyric, her new volume offers an unflinching examination of race and racism in the United States – this time in conversations with friends and strangers.

first post reflections/examples

I’ve just had a chance to read and comment on the first blog posts of the term. I’m really happy with all of your work–literally everyone turned in thoughtful, carefully considered prose–and I enjoyed getting a fuller sense of your thoughts on the readings and our class discussions. A couple of general notes and some shout-outs are in order.

To highlight some issues that many students had in one way or another:

  • titles: makes sure to give a descriptive title, even an eye-catching or clever or funny one. Just calling it “blog post #1” doesn’t tell us much about your argument. Also, just put the title in the tile bar and then start writing in the body: no need to repeat it.
  • don’t summarize, analyze: many of you gave really rich summaries of what X or Y thinker was doing. But we readers want more! Assume we know the basic arguments. What we need is for you to point out something we didn’t see in the argument, some assumption or thread or metaphor that we hadn’t noticed. Once you point it out to us, it changes our reading of Fanon or Hurston forever. Or at least that’s the goal…
  • be bold: try to say something a little “weird” in your analysis. We all know that Emerson loves nature, that Hurston celebrates herself, that Du Bois feels confined within the “veil”; so move beyond these basics and find something we hadn’t thought of. The posts I’ll shout out in a minute do this very nicely and are good examples.
  • tags: you can use the TAG function in WordPress to categorize your work. Use the author’s name or even a theme in your post (like “gender” or “subjectivity” or “racism”)

Shout-outs: I could point out excellent things that every single student did, but I’d like to call attention to three writers this time who did something special:

  • Julian wrote about Hurston’s debt to the Romantic-era poet Whitman. He emphasizes an affinity between Hurston and queer writing, noting that Hurston has a flair for performance and self-celebration that leverages her conspicuousness as a black woman while refusing to be confined within a stereotype.
  • Tyler also engaged Hurston but linked her writing to the very different account of “racialization” by Fanon: he puts the writers in tension, revealing some of the tensions within African-American thought about the “fact” of blackness, as Fanon puts it.
  • Naydeen, like Julian, emphasizes Hurston’s orientation towards performance and art, contrasting this assertion of blackness with Du Bois’s focus on the kinds of measurable “merit-based” competition that characterizes the dominant (read: white) culture and economy.

Note that these are not cookie cutters to be imitated; they’re just good examples of how to be a little “weird” in your writing in the best sense, pointing us readers to see something new in a given text.

Blogging 101

A central feature of this course will be the writing we do on this site.  In what follows, I will outline three things:

  • a rationale for why I ask you to blog in the first place, rather than write traditional essays
  • a quick primer on how to create your first post
  • a simple rubric to guide your writing + an example of a good-looking post

First things first: why blog?

1. Blogging is sharable: rather than have a private circuit between you and me, we have a much more dynamic conversation across the entire class.

2. Blogging is public, sort of: I like the idea that we are responsible for our ideas in front of broader audiences.  In practical terms, I doubt anyone is listening in most of the time, but I think it’s important that we roll up our sleeves and defend our arguments in an open and public forum as often as possible.  And of course, you can show your family/friends/pets what we’ve been up to in class.  For those who have reservations about privacy, note that a) I’m happy to help you get a username with some anonymity, so you have relative privacy beyond our class; and b) you are free to delete your posts at the end of class.  If anyone has serious reservations despite all this, feel free to contact me.

3. Blogging is sturdy: rather than forget the piece of paper once it’s been handed back, we can link back to prior statements or observations, or to each others’. If you like, you can leave your posts up for future students to see.

4. Blogging is responsive: rather than only getting comments from me, you’ll comment on and get comments on each other’s work.

So how do you post? Here’s a quick guide to posting on WordPress for newbies. It’s super easy once you figure it out the first time. So here goes:

1. Make sure you’re logged in: if you’re logged in, you’ll see your avatar in the upper-right-hand corner of the window. If you aren’t, you’ll see the text “log in.”

2. START A POST: there are several ways to post. Here’s the easiest: click the <+ NEW> icon in the top middle of the screen and select “post.” It looks like this:

Screenshot 2016-01-27 22.00.33

3. WRITE SOMETHING: “New Post” will take you to a basic text editor. So write something. If you want to get fancy, you can add italics, bold, indentation, insert images or other media, and whatnot. But most of the time you’ll just try to write some reasonable sentences. When you’re done, click PUBLISH on the right (see image below). Or, if you’re not quite ready, you can save it as a draft and reopen it later, via the “POSTS” section of the dashboard. Helpful hint: WordPress autosaves your work every few seconds, so it’s very, very rare to lose stuff. Nonetheless it’s not a bad idea to compose posts on a word processor and then paste them into WP just in case. I personally live dangerously most of the time and have never lost anything, but your call.

If you want to get really fancy, add a tag or two or some media. In the right-hand column, you’ll see a bunch of options. Most of the time you can ignore most of them, but “tags” allows you to add, say, the name of the author you’re writing about or a topic that you hit in the post. So for a post on Du Bois, you might tag it “Du Bois,” “SOULS,” and/or “double consciousness.” If you want to add media, for example a relevant image, click “add media” in the top left-hand part of the window and follow the prompts.

We’re good, right? Happy blogging.

What makes for an excellent post? For this class, posts should:

  • be between 400-800 words (use word count in WordPress or your word processor)
  • explain a given text’s argument (for secondary readings) or analyze its form and themes (for primary readings), using quotations and paraphrases of the text with page numbers in parentheses
  • engage a text critically, noting its limitations, its links to other texts we’ve read, its unstated assumptions, etc.

Here’s a simple rubric, adapted from Mark Sample, that I will use to evaluate your work (see how the academic blogosphere encourages sharing and exchange? I told you so!):

Rating Characteristics
A Exceptional. The post articulates a clear, original argument that is well-supported with textual evidence. The argument is “weird,” examining aspects of the text that will not be obvious to casual readers. It develops organically, leaving readers in a different place than they started, preferably with some gestures of introduction and conclusion. Where possible, it gestures to peers’ posts or other relevant criticism.
B Satisfactory. The post is reasonably focused, and provides textual evidence to support its argument. Its argument is coherent if perhaps a bit predictable.
C Underdeveloped. The post privileges summary or description over analysis,  without consideration of alternative perspectives, and may contain misreadings of the text. The entry reflects passing engagement with the topic.
D Limited. The journal entry is unfocused, or simply rehashes others’ comments; it fails to settle on any consistent argument.
0 No Credit. The journal entry is missing or consists of one or two disconnected sentences.

Last but not least, here’s an example of a good-looking post.  I’ve linked to it in a Word doc so you can see some marginal comments that explain why it’s good.  And remember: it’s not an exercise in cookie-cutting: your results may vary, and there are lots of ways to write an excellent post.

 

welcome

This is just to welcome new students to the course. We’ll start in earnest on Thursday via Zoom. In the meantime, peruse this site, check for the email I sent earlier this week for links to: the syllabus, readings, a brief survey, and Zoom links, and get ready to work hard and learn a lot this term.

 

If you’re curious, you can learn a bit more about me here.