We explored today Ellison’s interest in antiphonal forms to link an individual musician/orator/writer with an audience. I wanted to share links to two blog posts that help us grasp this connection more concretely. First, the post I shared on Zoom:
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And second, a jazz-centric post from Lincoln Center’s blog. This one is more relevant in some ways, since the IMs performances in chapters 12 and 16 are jazz-like in their improvisiatory riffing, their lack of a “blueprint” as Peetie Wheatstraw has it:
https://www.jazz.org/blog/playlist-call-and-response/

