Peola, Pecola, IMITATION OF LIFE, and TBE

I wanted to share some media that help contextualize some of the rich cultural history that Morrison conjures up in The Bluest Eye, both the fictional time of the novel (1941) and the time in which the novel was published (1970). Note: linking all of these “real” materials from cultural history to a fictional text is the bread and butter of “cultural studies” modes of critique…

In terms of the 1940s, it’s important to note that the character Pecola seems to reference Peola in the 1936 film, The Imitation of Life. This useful and brief segment from Turner Classic Movies gives a quick plot summary and explains the irony of Pecola’s name, insofar as it refers to a character who wishes to be white and ends up “passing”:

TCM Race & Hollywood “Imitation of Life”

No Description

Also regarding the 1940s, there’s a wonderful collection of objects relevant to TBE (and many other texts) at The Museum of Fictional Artifacts, built on the exhibition platform Omeka, by English for New Media Students at Dakota State University. There you’ll see images and explanations of Mary Jane wrappers, the Dick and Jane books, and many other objects in the text.

As I mentioned in my lecture, it’s also important to think about Morrison’s intervention into an important moment in African American cultural history. The late 60s/early 70s saw the rise of “Black Power” in politics and the “Black Arts Movement” across a wide range of cultural fields. These tendencies brought with them a new emphasis on affirmations of blackness. I think it’s safe to say Morrison supports this idea, but her novel regards these affirmations a bit skeptically, emphasizing the many ways in which white supremacy burrows within subjects throughout their formation as subjects, rendering problematic any proclamation of a pure, beautiful blackness as a bulwark against racism. For examples of the mode of affirmation Morrison wanted to problematize or, better, critique from within, check out James Brown’s ebullient “Say it Loud” (1968):

“Say It Loud It Loud ~ I’m Black & I’m Proud”

No Description

Even more relevant to the themes of the novel is Curtis Mayfield’s “Miss Black America” (1970):

Curtis Mayfield – Miss Black America

No Description

And finally, Stevie Wonder’s “Ebony Eyes,” from his pathbreaking double album Songs in the Key of Life (1976). One can imagine “Ebony Eyes,” a little whimsically, as the daughter of the defiant Frieda, a “devastating beauty/a pretty girl with ebony eyes”:

No Title

No Description

Women and the Blues

I mentioned in my that Morrison was likely thinking about the amazing outpouring of musical creativity among African American women in the interwar period when thinking about China, Poland, and Marie in the novel. The women are often represented as sites of unbridled appetite, good humor, and irreverent attitudes towards social norms. This cut from Ma Rainey, “Ma Rainey’s Black Bottom,” helps us see the connection:

Gertrude ‘Ma’ Rainey – Ma Rainey’s Black Bottom

No Description

We might also listen to Bessie Smith’s “Empty Bed Blues”:

Empty Bed Blues Bessie Smith

At last I have found the FULL version of this classic by Bessie and am posting it for all of her many fans who have so kindly commented on my earlier postings of her. It was recorded at the Columbia studios in New York on the 20th.

For those who really want to go deep and/or think about a research topic, Hazel Carby has written about this topic extensively.

 

 

 

The Encaged Man

Polly and Cholly Breedlove are both the results of white supremacy, bad circumstance, and negative influence. Their minds have been infiltrated with “white” ideologies and have deemed themselves ugly because of this. They have lived uncircumstantial lives and have been through terrible things that have shaped them to be who they are. Even in the novel, they live in a storefront because they believed they were “ugly”. It is because of her parents, that Peccola ends up viewing herself as a subordinate to whites. I argue that the reason why she is the way she is because of her father, Cholly. He is a victim of white ideologies and experiences unfortunate circumstances that lead him to grow an aggressive nature and hateful life.

Cholly in the novel is clearly a very aggressive person but what has caused him to be this way? Here I would like to explore his backstory and how he becomes the way he is. We are told about Cholly’s past as a baby and how he was abandoned by his mother. She left him in a “junk heap by the railroad”(Morrison). This is our first segue into an explanation as to why Cholly has a hatred for women. We can analyze and see that Cholly has a hatred for his mother abandoning him even after his Aunt takes care of him. He is still unhappy with his aunt and asks for his father’s name. This is interesting especially if analyzed. You would think Cholly would be grateful and would be respectful towards his aunt for saving her but he is not. Despite being saved by another woman, Cholly still holds a subconscious hatred for women and begins to look for his father despite him not being in his life at all. Here we see how the actions of his mother shape him into forming a hatred for women. It is because of a bad circumstance that he starts this hatred towards women and this later turns him into a violent husband against his wife Polly.

In Cholly’s upbringing, he begins to work and encounters a man by the name of Blue Jack. His encounters with Blue Jake made him happy as Blue Jake told him stories of the past and how he had been with many women. It is with this happiness that Cholly wanted the comfort of fatherhood and yearned for it but he could not have it. We, the readers, get a glimpse of the few sources of happiness that Cholly had as a young child. We begin to see how Cholly has no hatred towards men at this moment but continues to develop his hatred for women.  

It is clear that Cholly views himself as ugly and that he has become a victim of white supremacy. There is an interesting scene in the novel where Cholly thinks about God and how he would look like. This scene supports my argument as he describes God as “a nice old white man, with long white hair, flowing white beard, and little blue eyes that looked sad when people died and mean when they were bad”(Morrison). With this description, we see how whiteness has overcome Cholly’s head and how he has been taught to remain inferior to white people. He sees God as a white person instead of a black person and compares himself to the devil. It was in this moment and self-realization that we see that Cholly accepts these views and begins to see himself as the “devil” or inferior to be better put. This in turn shapes him to remain in the same position in his life and accept that he is “ugly”. These views then reflect later on in the story as he instills these views on his daughter Pecola. He is a victim but it is interesting to see how grows hatred towards whites but still continues to remain in the same spot and accept his position.

Later in the novel, we are told about an experience that Cholly had with two white men. It was in this experience that Cholly had fully embraced his hatred towards women and hatred towards whites. He submits to his anger and accepts that he is inferior to whites. Rather than be angry at the men who had humiliated him, he chose to be angry at the girl that he was having sex with. He lost his humanity and this obviously mirrors his actions in the novel. He repeatedly abuses his wife and also rapes his own child. He is disrupted and this makes him turn into a “free” monster. Cholly is also afraid that Darlene is pregnant and runs away to find his father. He knows it is wrong to abandon a pregnant woman but takes after his father steps and does it anyway. It is interesting here to see the choice that young Cholly makes. I believe that his hatred for women has clouded his judgment and this in turn makes him leave Darlene despite being the product of an abandoned father. It is with this where he himself becomes distorted and no different than his father.  Cholly becomes even more distorted when he finds that his father does not care about him and neglects him. Here we see the sadness and pain that was brought to Cholly, he was utterly alone and even defecated himself to add more to the embarrassment. His one source of happiness did not even know he existed and this crushed him. He later gets the opportunity to form bonds with his children and not make the same mistakes his parents made but he does the opposite. He separates his family and becomes the people he hates so much.

It is with all occurrences that Cholly becomes a “free” man. The book’s description of Cholly’s freedom is ironic as we see how shapes into the alcoholic, aggressive, womanizer that he is presently in the novel. Morrison offers us this backstory so that we the reader could see the results of white supremacy, bad circumstance, and negative influence in his life and how it affected him negatively. Even though he is “free” he becomes a monster and encaged.

 

Broken glass Royalty Free Vector Image - VectorStock

asynchronous lesson for 10.22.20

Here’s everything you need to play along today in our third asynchronous session. First the video (be sure to have your copy of the book in hand). Note: disregard the occasional mentions of days of the week, etc.: I recorded it last semester for a different section:

lecture (email if there’s a problem accessing it)

Here’s the text of the lecture, more or less, if you want it.

And here’s the prompt for the blog post that’s due by Friday at 5pm. Note that this post counts as Blog Post #4 on the syllabus! Definitely take in the lecture before writing; the writing assignment will be easier and make more sense after the lecture.

The middle of the novel tracks back in time to relate the “subject formation,” if you will, of Pecola’s parents, Pauline and Cholly. It’s almost as if, to tell the story of Pecola’s formation, it has to start before the beginning in order to find the source of Pecola’s pain, her feeling of “ugliness,” and her identification with an alien whiteness. For both Pauline and Cholly, growing up and forming a self is interrupted in ways that traumatize them and prevent them from fully flowering (to use a botanical metaphor that the novel also employs). Choose either Pauline/Polly or Cholly and explore their backstory. You might think about:
  • what sites of unalienated pleasure and power does s/he find along the way, what moments and places and people and practices sustain him/her, providing pleasure and returning respect?
  • how does this “mirror,” so to speak, get shattered or distorted: who or what disrupts their development, and what are the effects of this disruption?

 

Write at least 500 words and no more than 1000. Have an argument. Cite the text. Due by Friday at 5pm on the course blog. This exercise fulfills the “Blog Post #4 on the syllabus in addition to substituting for today’s (Thursday’s) class.

Killer Mike and the “groove of history”

For those of you who don’t know him, Killer Mike is an Atlanta-based hip-hop artist and one-half (with El P) of the hip-hop dynamic duo Run the Jewels. He’s one of my heroes: hilarious, angry, smart, talkative, and open to the entire world. This episode, from the NY Times‘ “Sway” with Kara Swisher, got me to thinking about the end of Invisible Man. I’ve always found it unsatisfying the way the novel sort of dispatches the Brotherhood and Ras and street-level anarchic struggle and leaves the narrator snoozing underground.

Mike is someone who has lived an above-ground life trying to think about how to pull people marginalized and oppressed by the hyperinequalities and white supremacy of our era into what Ellison calls the “groove of history.” And he sounds like the love child of Ras and Jack doing it, mixing elements of black nationalism and a highly conscious socialist reading of politics and economics. If you haven’t checked out this year’s RTJ 4 album, do so: I’ve linked to it below as well.

 

Opinion | Killer Mike Says He Has a Choice to Make (Published 2020)

The rapper and activist on transforming fear into power.

RTJ4 Full Album Stream

Listen to the full RTJ4 album here!